April 7, 2012
Mina Roces on Malakas at Mahina

A concept Filipino historian Mina Roces introduced in her book, Kinship Politics In Postwar Philippines: The Lopez Family 1946-2000 arose out of dissatisfaction with the anthology An Anarchy of Families: State and Family in the Philippines and Phoenix: The saga of the Lopez family, Roces puts forward two highly useful ideas for understanding politics and business:

One persistent theme in Philippine postwar political history had been the continuous charges of graft and corruption against an administration, foreshadowing its demise at the next election contest. Such fluctuations in Philippine politics have been an established pattern since independence was granted in 1946..How can one explain such “cycles” in Philippine postwar history?

This book proposes a framework for such an analysis. It argues that a contest between two competing discourses -traditional social idioms embedded in kinship politics or politica de famila and Western values (here interchangeably used with the term “modern”) inculcated in the colonial period- accounts for these political oscillations. Traditional, or pre-European, political organization is seen as being based on the politica de familia or kinship politics. This concept is used here to mean political process wherein kinship groups operate for their own interests interacting with other kinship groups as rivals or allies. Politica de famila thrives in a setting where elite family groups and their supporters compete with each other for political power. Once political power is gained by one family alliance, it is used relentlessly to accumulate family wealth and prominence, pragmatically bending the rules of the law to gain access to special privileges.

She then goes on to specify what these “Western idioms” are:

The colonial period introduced a number of Western idioms (the term Western idioms or Western institutions is used for lack of a better term to refer to non-indigenous influences introduced externally into the society from the West from the 16th century onwards) which were eventually incorporated into the cultural milieu and thus of political behavior. Some of these values were in direct conflict with the traditional elements of kinship politics. The set of Western idioms which penetrated and influenced Philippine political culture may be classified into three categories. First, a new set of ethics and morals, introduced in the Spanish period through the vehicle of Catholicism, provided a novel standard with which to conduct and judge behavior, often intruding into the established methods of comport. (This does not imply that there was no “morality” before the Spaniards arrived in the 16th century). Secondly, bureaucratic professionalism inculcated in the American colonial period emphasized a different method of participating in politics and business -that of utilizing impersonal norms, the assessment of people on the basis of achievement, and maintaining objectivity in major decisions involving personalities. Finally, the concept of loyalty to a nation-state, an entity far surpassing the specific confines of the family or village, began to emerge as nationalist ideas spread throughout the archipelago from about the second half of the 19th century to the movement for independence in the 20th century…

And then, how it comes together:

With independence, Filipinos assumed full political leadership and the tensions between these two opposing discursive practices surfaced. This unreconciled tension explains the peculiar behavior of postwar politics that saw the cyclical rise and fall of governments as each administration was voted out of office for graft and corruption. Families who operated in the traditional style found themselves exposed and criticized in the free press by rivals who used the rhetoric of Western values to attack those families in power. Having been shown to have neglected the national interest in favor of familial concerns, these families failed to retain their power beyond one administration. In this framework, the Marcos regime (1972-1986) represents the epitome of pure kinship politics as one family alliance alone had monopoly of political power and owning most of the country’s major corporations…

This book argues that this unresolved tension was responsible for the ambivalent behavior exhibited by Filipino families who have used political power for familial ends. On the one hand, these individuals families sincerely believe the rhetoric they imbibed from their education -that corruption is bad, that the modern discourses of professionalism, ethics, and morals, and the concern for the national interest should override the familial interests in the political sphere. While these families use the modern idioms to criticize other families who in their eyes use political power to build a business empire, at the same time they remain blind to the same faults in themselves -almost oblivious to their own practice of kinship politics. In this manner they continue to apply one set of values (Western/modern) to their rival families, and one set of discourses (kinship politics) to themselves.

Another concept Mina Roces puts forward as deserving of further exploration, is that of palakasan:

Another Tagalog concept also used as in idiom in the discourse of kinship politics yet unexplored by social scientists is palakasan. The word malakas literally means “strong” and the word mahinadesignates the opposite -”weak.” In a political sense, a person who is malakas is one who is in a position of power and uses that power unscrupulously to benefit his/her kinship group…

One who does not want to his/her position or power to help his/her kin group is “mahina.” And to be branded “mahina ka” (you are weak) is pejorative. In the cultural value system, “malakas” is a virtue. One who is malakas is looked at with awe and it would enhance once’s position to work for such a“malakas” person. Thus, one’s being malakas or mahina becomes a culturally-defined yardstick of a person’s prestige, power, or influence. If a family is malakas, many would want to work for it or desire an alliance with it. The unabashed ability to display how malakas one is by using one’s power to give one’s family special privileges and concessions in business is received with great admiration.

Palakasan is a system wherein those in power compete with each other in obtaining special privileges and exemptions from regulations and beding the rules of law for their kinship group. For the palakasansystem to function, there must be various groups of family rivals all attempting to exercise power in the pursuit of family wealth and privilege. Each family then tries to outdo the other in being“malakas.”

And the assumptions on which such a system is based? A fundamental inequality among the people:

Malakas implies special status, blatantly stressing the inequalities in the social structure between those in power and those out of power. But malakas status is not dependent on social or economic class (although one could argue it represents the current political class, a position far from being static, as family alliances constantly move in and out of political office). Since the criterion for malakasstatus is solely political power, a wealthy person can lose out to a relatively poor but more influential family alliance. A group of squatters in a Manila slum area may be malakas because they have close ties with the mayor and therefore feel no threat of eviction. The person who owns the land illegally occupied by the squatters though wealthy, has no hope of retrieving his/her land or of evicting the squatters as long as these squatters maintain their malakas status vis-a-vis the mayor…

It is true that, generally, wealthy families have more chances of attaining malakas status: politicians are willing to receive financial assistance from a wealthy family at election time in exchange for ties ofutang na loob. Wealthy families are also financially capable of employing someone who is malakas in order to speak in their favor. For example, rich families can pay influential malakas lawyers, ormalakas judges to favor them in court. A poor person who is mahina would not have the financial materiel to approach a malakas person for help. But it is important to note that even families from low social classes, the poor peasants, may be malakas if they are close to the powers that be. Don Aflonso may be wealthy but he could be mahina in the municipality of Pasay City, whereas, Mang Pedro who is the bodyguard of Mayor Pablo Cuneta of Pasay City could be malakas in that municipality.

Because of this, Roces argues that being malakas isn’t always about the wallop of one’s wallet:

Malakas highlights inequalities not along socio-economic class lines but distinguishes between those who are exempted from all laws and rules that govern the rest of society (malakas) and those who have to follow the rules (mahina)… Those that follow the rules disadvantage themselves by sublimating themselves in a lower status while those who blatantly bend or break the rules of law gain prestige because they reveal their special status (they can break the rules without punishment, or they do not have to follow the rules that everyone else has to follow). And it is usually those who are in political positions who can exercise the malakas prerogative. An interesting point is that in order to show malakas status, one has to break the rules deliberately; one has to exercise status to show status.

January 19, 2012
Term of the Day: Duplicate Original

My blog entry for today.

September 17, 2011
prostheticknowledge:

Image from a great (long) post on Adam Curtis’ blog about the history of ‘Think Tanks’ in Britain
Above is an image of Reg Calvert and his wife:

Reg is really the hero of this whole story. He was a bucaneering kind of  pop promoter and entrepreneur that emerged in the music business in the  1950s and 60s. He was a working class boy who had gone into the music  business in the late 50s as it morphed from rock and roll to pop. He had  set up his own school to create new stars in a derelict mansion near  Rugby. He called it “The School of Rock n Roll”. Here is a picture of  Reg surrounded by his shock troops who were going to assault the charts -  one of them was his answer to Elvis Presley - called “Eddie Sex”.  Another one was called “Buddy Britten”.
Then Reg found David Sutch - renamed him Screaming Lord Sutch - and  created a star. Reg persuaded Sutch to stand as a candidate in the  byelection in 1963 that had resulted because of the scandal of the War  minister John Profumo - which involved prostitutes and spies, and Sutch  became a national figure … He is a strange hybrid of early American garage-band sound crossed with Victorian music hall.

Reg then wanted to set up a pirate radio station, which he did successfully, to the annoyance of Major Oliver Smedley, who was intrinsic in setting up Radio Caroline. What is interesting is that Radio Caroline was believed to be part of the free-spirited phase of the sixties, but the reality wasn’t so:

Radio Caroline was an immediate success. In the media mythology of the  1960s it is seen as part of the rebellious counterculture. In reality it  had been deliberately created by the New Right - as a part of their  counter-revolution.

The counter revolution was the dissuasion of the Keynes economic ideas and socialist / state intervention and control, and moving towards the ideas of Hayek. More true, though, was that the ideas were re-interpreted to create a power structure that focused on the interests of those in the private sector. Setting up a pirate radio station was really a middle-finger salute to the establishment.

Major Oliver Smedley didn’t like this competition - so he did what all good free-marketeers do. He created a monopoly.
He went to Reg and persuaded him to amalgamate with Radio Caroline -  and become part of the pirate network. In return Smedley promised to  give Reg a brand new transmitter - which would be much more powerful.
But then things went wrong.

Smedley, with a team, sabotaged the rival station, bringing it to close.

But Reg Calvert was furious. The next evening he drove down from  London to Oliver Smedley’s cottage outside a small village in Essex. He  got there at about 11pm and started hammering and banging on the door.  Major Smedley’s secretary opened the door and Reg burst in.
Smedley then shot Reg Calvert with a shotgun, and Reg died immediately.


This part is just a chapter of the full story Curtis presents, and it is facinating. It includes many pieces of BBC archive material.
Recommended (if you have the time) - link here

prostheticknowledge:

Image from a great (long) post on Adam Curtis’ blog about the history of ‘Think Tanks’ in Britain

Above is an image of Reg Calvert and his wife:

Reg is really the hero of this whole story. He was a bucaneering kind of pop promoter and entrepreneur that emerged in the music business in the 1950s and 60s. He was a working class boy who had gone into the music business in the late 50s as it morphed from rock and roll to pop. He had set up his own school to create new stars in a derelict mansion near Rugby. He called it “The School of Rock n Roll”. Here is a picture of Reg surrounded by his shock troops who were going to assault the charts - one of them was his answer to Elvis Presley - called “Eddie Sex”. Another one was called “Buddy Britten”.

Then Reg found David Sutch - renamed him Screaming Lord Sutch - and created a star. Reg persuaded Sutch to stand as a candidate in the byelection in 1963 that had resulted because of the scandal of the War minister John Profumo - which involved prostitutes and spies, and Sutch became a national figure … He is a strange hybrid of early American garage-band sound crossed with Victorian music hall.

Reg then wanted to set up a pirate radio station, which he did successfully, to the annoyance of Major Oliver Smedley, who was intrinsic in setting up Radio Caroline. What is interesting is that Radio Caroline was believed to be part of the free-spirited phase of the sixties, but the reality wasn’t so:

Radio Caroline was an immediate success. In the media mythology of the 1960s it is seen as part of the rebellious counterculture. In reality it had been deliberately created by the New Right - as a part of their counter-revolution.

The counter revolution was the dissuasion of the Keynes economic ideas and socialist / state intervention and control, and moving towards the ideas of Hayek. More true, though, was that the ideas were re-interpreted to create a power structure that focused on the interests of those in the private sector. Setting up a pirate radio station was really a middle-finger salute to the establishment.

Major Oliver Smedley didn’t like this competition - so he did what all good free-marketeers do. He created a monopoly.

He went to Reg and persuaded him to amalgamate with Radio Caroline - and become part of the pirate network. In return Smedley promised to give Reg a brand new transmitter - which would be much more powerful.

But then things went wrong.

Smedley, with a team, sabotaged the rival station, bringing it to close.

But Reg Calvert was furious. The next evening he drove down from London to Oliver Smedley’s cottage outside a small village in Essex. He got there at about 11pm and started hammering and banging on the door. Major Smedley’s secretary opened the door and Reg burst in.

Smedley then shot Reg Calvert with a shotgun, and Reg died immediately.

http://www.bbc.co.uk/blogs/adamcurtis/mygodcomp.jpg

This part is just a chapter of the full story Curtis presents, and it is facinating. It includes many pieces of BBC archive material.

Recommended (if you have the time) - link here